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Lafayette String Quartet performs "Fox Hollow" in California, Feb. 21-25

Here is the schedule for the upcoming California tour by the Lafayette String Quartet, featuring Fox Hollow. The program also includes the Schubert Quartet in A minor, No. 13, Op 29, "Rosamunde"; and the Dvorak String Quintet No. 3 in E-flat major, Op. 97, with violist Pamela Freund-Striplen.

Follow the links below for details.

  • Friday, February 21, 3:00 PM - Open rehearsal, Saint Mary’s College (www.gcplayers.org)
  • Friday, February 21, 7:30 PM - Lafayette Library, Community Hall, 3491 Mt. Diablo, Blvd., Lafayette. Includes a pre-concert talk by the composer (www.gcplayers.org)
  • Sunday, February 23, 2:00 PM - Danville Village Theatre, 233 Front Street, Danville (www.gcplayers.org)
  • Monday, February 24, 3:20 PM - Master class, open to the public. San Domenico School, San Rafael (www.sandomenico.org)
  • Tuesday, February 25, 8:00 PM - Berkeley City Club, 2315 Durant Avenue, Berkeley (www.berkeleychamberperform.org)

2013 Orion Visitor Lecture on-line

The complete recording of the lecture is now on-line here.

I discussed the making of Silicon Valley Breakdown, as well as my creative process, my studies with Henry Brant, the early days of computer music at Stanford's Artificial Intelligence Laboratory, and more.

The November 6, 2013 event also included performance of the newly-restored quadraphonic version of Silicon Valley Breakdown.

Interview from Victoria Times Colonist

In

Lafayette String Quartet concert series dedicated to pioneer composer David A. Jaffe

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AMY SMART / TIMES COLONIST
NOVEMBER 4, 2013 01:39 PM

When David A. Jaffe set out to write his newest composition, he started by looking backward. The American composer has made a name for himself as a pioneer of electronic music, but as a teenager he occupied his time exploring the worlds of folk, bluegrass, jazz and classical music. Fox Hollow, which makes its world première Friday at Open Space, is an attempt to evoke the atmosphere of a music festival of the same name that he attended during that time in upstate New York.

“It was particularly magical because, for one, they had no electricity at all. So all the concerts were in a natural amphitheatre and people were just very quiet and listened under the stars,” said the resident of Berkeley, Calif.

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